The interplay between characters and compelling performances allows a film to truly resonate with audiences. Classic films often achieved this through intricate plots and nuanced character development.
Modern franchise films, while visually impressive, often lack the depth and originality of their predecessors. They tend to rely on established formulas and familiar narratives, prioritising spectacle over substance. Many core cinematic elements—revelation, mystery, and genuine emotional risk—are frequently absent in these productions.
These films are often sequels in name but remakes in spirit, designed to meet specific market demands rather than explore new artistic territory. Market research and audience testing heavily influence the creative process, leading to homogenised themes and narratives. This approach sharply contrasts with auteurs who prioritise originality and artistic vision.
Filmmakers like Paul Thomas Anderson, Claire Denis, Spike Lee, Ari Aster, Kathryn Bigelow, and Wes Anderson consistently push the boundaries of cinematic storytelling. Their films offer unique perspectives, unexpected narratives, and a sense of genuine discovery, expanding the possibilities of moving images and sound.
The dominance of franchise films in theatres poses a significant challenge to independent cinema. With fewer independent theatres and the rise of streaming, opportunities for diverse cinematic experiences are diminishing. Despite this, the desire to create films for the big screen remains strong among filmmakers.
The future of cinema hinges on balancing commercially successful franchises with continued support for original, independent filmmaking. Preserving diverse cinematic voices and ensuring audiences can experience a wide range of films is crucial for the art form’s health and vitality.